Skip to main content

Demo: Boring Life

Demo of a song I just finished about graduating.  Thanks to Alec Leverette for the guitar solo.  Someday I'll actually learn how to play that damn instrument myself...

http://soundcloud.com/felix-lin/boring-life

Lyrics:

[Verse 1]
Camel lights on your breath and mine
Talking ‘bout spring break this time
Memories made in dim lit bars
Troubles lost in speeding cars

Hearken back to halcyon days
When we had time to go astray
Heady times for dashing thoughts
‘Fore our souls could all be bought

[Chorus]
Oh I long for the time when life could be boring
Now we’re all being blown from our moorings
Adrift for now

Setting out searching for El Dorado
’94 Camry, no wheel, no throttle
No wonder there’s doubt

[Verse 2]
The doomsday clock is counting down
Striking fear without a sound
Three more months till that day when
From childhood we must wake

The caps and gowns they’ll come in June
Childhood gone away too soon
Cheers in hope of what is to come
But tears for what has gone

[Chorus]

[Guitar Solo]

[Chorus]

Comments

Popular posts from this blog

Greatest Song of All Time

The music business has its fair share of complexities, as you would expect from any business with such a long history, and that is, at its core, built upon international law (i.e. copyright). That complexity is almost always hidden from the listening public. However, one piece that is curiously exposed every year when the Grammys come around is the separation between what is a "record" and what is a "song". The second and third most prestigious awards at the Grammys are, respectively, "Song of the Year," and "Record of the Year." What's the difference? Most people, including most musicians, wouldn't be able to tell you. I couldn't either until I took a music industry course in college where someone finally explained it to me: A "song" is melody and lyrics. The best way I have to think if it is, if hear someone play a faithful-to-the-original, acoustic cover, the "song" is what would be the same between the orig...

Best of The X-Factor UK

This coming Wednesday, Simon Cowell's replacement for American Idol, The X Factor, will debut here in the states. So, here's my favorite moments from the UK X-Factor, in the hopes that the US version will have moments just as good. Cher Lloyd - Turn My Swag On : A cheeky British teenager (16 at the time) covers the Keri Hilson cover of a Soulja Boy song.  On paper, it should've been a complete joke, but, somehow, Cher made it work.  She totally had the attitude, the look, and the voice to pull it off, and it didn't hurt that the song was actually awesome. Hands down the best and the most unique audition I've ever seen on any of these reality singing shows.   Jamie Archer - Sex on Fire : The song was a huge hit in the UK and an even bigger hit in Australia.  How it never became a hit in the US is beyond me.  Anyways, Jamie Archer has a perfect voice for the song and he just fucking sells it.  I can't help but smile watching this, and, judging by the vide...

Fallout

This is an old song that I finally finagled into sounding good. The track uses Neon Indian's Fallout and was inspired by Frank Ocean's Strawberry Swing .  As with that song, I stripped the song of its original vocals and used the title as a starting point to craft a story of my own.  Hope you like it. http://www.mediafire.com/?bqv9d7821m7nn7m (I tried posting to SoundCloud, but the fact that I pretty much used a copyrighted track in its entirety did not make them very happy.) Lyrics: [Verse 1] Falling, falling out of control Away we will go To make love, oh how sweet Warm night, city breeze Not so sweet nothings and furtive stares Not the answer to my prayers, but Stagger, stumble through the door Bet tomorrow that’ll make you sore [Chorus] And we’re falling in and falling out of control And we’re falling in and falling out of control [Verse 2] Turn on the night light, not too bright Just enough to set things right, it Won’t go over w...