- Usher - Climax: A song called climax that ironically never climaxes. Instead, the tension builds through each verse and chorus only to dissipate into nothing. It's one of the coolest sonic ideas I've ever come across. The best Usher track since Yeah! and the best Diplo beat since since M.I.A.'s Paper Planes.
- BigBang - Bad Boy: The song is a perfect homage to 90's R&B. It's laid back, melodically brilliant, and has swagger on a hundred thousand, trillion. The best K-pop song to come out since S.N.S.D.'s Gee.
- Skylar Grey - Coming Home: The original version of Diddy's Coming Home. One of the best choruses of the past few years, stripped of all the abysmal rapping, and fitted with a much more heartfelt and subtle backing track.
- M.I.A. - Bad Girls: A solid tune up of the original mixtape track from last year. The synth line is stellar and M.I.A. singsong rapping is surprisingly catchy. Also, the music video is easily the best of the year so far.
- Sleigh Bells - Comeback Kid: Overall, beyond the brilliant album cover, Sleigh Bells' sophomore effort, Reign of Terror, was no match for their debut, Treats. This song, however, goes a long way to making up for that. Easily the best track they've ever done. Their trademark wall of guitar noise is dialed down just enough to allow the best song they've ever written some extra room to breathe. A fitting follow up to Rill Rill.
This week's a pretty good one for new releases. Girls' Father, Son, Holy Ghost as well as St. Vincent's Strange Mercy will be officially released. I've listened through both of them, and I thought I'd give them both a quick review. Girls - Father, Son, Holy Ghost: Girls is a San Francisco band, whose singer had a fucked up childhood in the Children of God cult, that makes ramshackle, charming, lo-fi, Beach Boys-sounding rock music. If you haven't heard their music, listen to Lust for Life , Laura , and/or Hellhole Ratrace off their first album (which was terribly titled as "Album"). Anyways, this album is definitely more expensive sounding than their debut, with more intricate and varied arrangements. However, the songwriting is just not there. I listened through the whole thing twice and found nothing to like. Ironically, the only song that didn't make me want to vomit was the one called Vomit. For that, I'll give this album a point...
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