Skip to main content

Review: Justin Timberlake - The 20/20 Experience

Rating: 6.7

Seven years after gracing us with two of the greatest pop singles of all time (My Love & What Goes Around...Comes Around), Justin Timberlake's finally put out some new music. Thank god too. I was pretty tired of having Justin Bieber as the sole claimant to the now permanently vacated throne for the King of Pop.  If nothing else, the marketing blitz that's being put on for this album has been something to behold.  Music publications everywhere are tracking his every move, and he seems to be appearing on every single TV show, all at once.

Now for the music.  It's certainly interesting.  The average song is 7 minutes long, and the song structure is all over the place.  However, it feels more like lazy editing than grand ambition.  Most of the songs don't even have enough good melodic ideas to fill out a standard 4 minute track, let alone the 7 minute behemoths here.  Just as an example, the chorus to "Let the Groove Get In" is sung 60 times in the song.  I don't care how good a melody is.  I don't wanna hear it 60 times.  There's a reason why everyone can't stand the Black Eyed Peas' I Gotta Feeling.

The drums programming is still top notch, as it always is when Timbaland's involved, but the rest of the production work really suffers from the absence of Danja.  His synths were what really put songs like SexyBack and Summer Love over the top, and, without him, everything comes off rather flat and boring.  It's a shame that such a great promotional campaign is being run for such mediocre music.

Key Tracks: Mirrors, Tunnel Vision

Track-by-Track Rating:
  1. Pusher Love Girl - 6.5
  2. Suit & Tie - 7.0
  3. Don't Hold the Wall - 6.5
  4. Strawberry Bubblegum - 6.0
  5. Tunnel Vision - 7.5
  6. Spaceship Coupe - 7.0
  7. That Girl - 6.0
  8. Let the Groove Get In - 7.0
  9. Mirrors - 7.5
  10. Blue Ocean Floor - 7.0

Since I don't think I've ever actually rated an album before, here's a bit of info to give the scale some meaning:

Comments

Popular posts from this blog

The Best of the Brits

Coldplay just released a new song, "Paradise", from their forthcoming album, Mylo Xyloto, and it's actually really good.  Leagues better than Every Teardrop is a Waterfall.  Heck, it's better than anything off of Viva la Vida except for "Viva la Vida".  Anyways, that got me thinking about all the great pop music that the Brits have come up with over the past couple years that never made it across the pond.  So, here's a list of a few of the best ones: The Wanted - All Time Low (Genre: Pop): Boy bands and girl groups might've died in the U.S., but they're still going strong in the UK with acts like Girls Aloud, The Saturdays, JLS, and, god have mercy, Jedward.  (Seriously, if you think American music is bad, just look up Jedward.  They might be cute little kids but I want to strangle both of them at least three times over and punt them to Pluto.)  Anyways, the best song any of them has managed to put out in the past few years is The Wanted'...

New Albums [9/27]

Switchfoot - Vice Verses : I like the album title.  Too bad the music couldn't be as interesting.  It's all just extremely straightforward and easy-to-digest rock.  Pleasant enough, but entirely forgettable.  Dark Horse is rather enjoyable though.  Certainly below the level of Dare You to Move and Meant to Live, but better than anything else they've done.  Points: 1 Blink-182 - Neighborhoods : Just reread the Switchfoot review, replacing Dark Horse with After Midnight , and Dare You to Move and Meant to Live with All the Small Things, Adam's Song, and I Miss You.  Hell, I'll even do it for you: I like the album title.  Too bad the music couldn't be as interesting.  It's all just extremely straightforward and easy-to-digest rock.  Pleasant enough, but entirely forgettable.  After Midnight is rather enjoyable though.  Certainly below the level of All the Small Things, Adam's Song, and I Miss You, but better than ...

Greatest Song of All Time

The music business has its fair share of complexities, as you would expect from any business with such a long history, and that is, at its core, built upon international law (i.e. copyright). That complexity is almost always hidden from the listening public. However, one piece that is curiously exposed every year when the Grammys come around is the separation between what is a "record" and what is a "song". The second and third most prestigious awards at the Grammys are, respectively, "Song of the Year," and "Record of the Year." What's the difference? Most people, including most musicians, wouldn't be able to tell you. I couldn't either until I took a music industry course in college where someone finally explained it to me: A "song" is melody and lyrics. The best way I have to think if it is, if hear someone play a faithful-to-the-original, acoustic cover, the "song" is what would be the same between the orig...